John Copeland & Rebecca Elbek’s Jewellery Is Correctly Imperfect
Like Rebecca Elbek, John Copeland celebrates the imperfect with his impressionist artwork. It is really…

Like Rebecca Elbek, John Copeland celebrates the imperfect with his impressionist artwork. It is really not about reaching the great shape but drawing splendor from chaos.
Although Copeland’s dense whirlwinds of oil read extra explosive than Elbek’s jewellery, hers is no a lot less dynamic. Levels of gold are usually formed with willfully asymmetric edges and asymmetric gemstone placements. Expression, not perfection, is the objective.
So, it follows that Elbek would find a deserving artistic counterpart in Copeland, presented their comparable predilections for deliberately uneven finishes.
The pair have come jointly on a brief jewelry capsule that suitably captures their shared ethos on one particular hand, you have Copeland’s edgy, tattooed menace and, on the other, Elbek’s sensitive shaping, suitably expressed within the smooth medium of 14k gold.
“I usually get the job done with oil paint and bronze in a significantly greater scale, so it was fascinating for me to perform with Rebecca in a new materials and on a much more personal scale,” claimed Copeland. “I wanted the ring and pendant to have the aura of a swift sketch from the studio or a homemade tattoo. To preserve that uncooked strength.”
Offered in 30 editions apiece via Rebecca Elbek’s website and V1 Gallery’s net keep on November 19, the “Joy de Vivre” ring and “Loveletters From Nowhere” necklace are each hand-engraved to match Copeland’s original sketch.
This palms-on style and design solution mimics the exclusive forms that end result from Copeland and Elbek’s creative processes. Nothing’s
“Through this collaboration and innovative method, we have experimented with to combine two incredibly distinct worlds, equally in terms of the products but also in phrases of what characterizes both of those John’s masculine and playful universe and my universe with feminism and storytelling,” explained Elbek.
“The two pieces are produced in my signature way of operating with imperfect styles and a rough look put together with John’s masculine entire world of skulls, handwriting, motorbike, and impeccable concentration on information.”
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